The jumpers are called JP3001 until JP3009, in my radio I have the jumpers JP3006 and JP3007 closed, 0 ohms.I do the jumper JP3005 and reset the radio, now it is open the mars/cap. Click here to view pin outs.: Copyright 2013-2019 Universal. Click here to view actual rear panel. Amateur HF Transceivers FTDX1200 Rear Panel. Avoid the Hype (and Probably the Condensers)DX1200 Rear Panel. EX3200 ULTRAFEX PRO: Multiband processing for simultaneous low- and high-frequency enhancement Natural Sonic processor for extremely musical sound enhancement VSP (Variable Sound Processing) circuitry for simultaneous enhancer and exciter processing 'Dual Mode' ultra-bass enhancer for awesome soft and tight bass sounds Shift function allows you to control the.
In another life, I spent 8 years working as a television writer and producer for ABC and CBS affiliates back in Iowa. To be sure, I was more prepared than most. When the pandemic hit, I suddenly had to immerse myself into the world of audio/video streaming and producing online videos. If you want a versatile band-.I work as a teacher at a university. Disconnect the radio from all power, accessories, and antennas prior to attempting this modification.The Yaesu SM-5000 Station Monitor Band-Scope an exciting and affordable matching option for the FTDX 5000 MP Limited Transceiver.
Would I buy it for teaching? No. Another mic which everyone reads about is the Blue Yeti. It's one of the least impressive mics I've ever heard, and is completely carried by marketing to suckers who don't know any better.Blue makes some really nice microphones, especially when you are talking $300+ XLR mics like the Baby Bottle SL, but they are also very slick at marketing hype on the consumer end. It's a noisy option with a weak overall sound and it picks up a lot of room noise. Let this serve as a warning: the Blue Snowball is NOT a good option for teachers.
Blue also seems to have have an affinity for creating mics that are difficult to shock mount and look like a piece of male anatomy (see the Yeti hanging downward off of its ludicrous shock/boom system or the Blue Ember by itself to see what I mean).So now that I've poked holes in two of the options you may have read a lot of hype about, let me mention a few mics that will sound great and save you money. Want to spend a lot more money and stop the thumps from your hands on the desk? Be forewarned - on a shock mount the Blue Yeti looks positively idiotic. Yes, it looks impressive on a desk, but you don't need all of those polar patterns, and it will hear everything in your room.
Use sellers with the most sales and ratings). I've bought from them for years. You can find it on Amazon, Ebay, and direct from China's Aliexpress, if you're in a pinch (it's a good site. If you just want to sound good without fuss or lots of extra confusing components, settings, etc. In all honesty, this mic is all that 95% of teachers who use Zoom will ever need. They made a condenser-style model which also receives good reviews, but I prefer the k668 USB version.
Plug it in, make sure the mic is selected, and bam. You don't have to worry about special settings or learn extra software. It comes with its own small stand, and as long as you move it as close to you as possible, it will work well. The microphone's cardioid pattern helps control echos and room noise, but is not TOO tight that you can't be away from it a bit.
This mic will give you the option of having excellent audio without fuss, if you wish to hook it into a smartphone and go mobile. This mic is a very small shotgun style mic that will fit on top of your smartphone. I will note that the K668 does have a smidge of that tell-tale cheap Chinese shrill top-end, but Zoom will remove that, anyway:The best microphone for a smartphone under $50 is the Movo VXR10. How good? Take a look at this video, which was produced by another gentleman.
Just try to keep it within a distance of arms length to your face, for best audio quality.Here's another review of the Movo VXR10, in detail:For those of you who would like a step up in quality, and you're not afraid to spend a little more to get it, I present the Behringer xm8500. If you want a mic that sounds great, yet you don't have to see it in your video, a shotgun mic such as this is a top option. It's quiet enough that 98% of people are not going to notice or even care.A shotgun style microphone such as the Movo VXR10 is really a nice option if you want the freedom to move around a bit with a phone, yet keep room noise and echoes down. If you're working with Zoom or similar software, or just using it on your phone, have no worries. It is not a USB mic, however, which tends to mean you may pick up some more background noise compared to a USB or quality XLR mic. You could even use it as a mic attached to your desktop setup, and also enjoy good audio.
I actually go this route, but unless you are prepared to treat your room, they are the wrong option for teachers. Or they want that imposing look. You will want to add a $2 sponge pop-filter to control the P-pop "plosive" sounds.Here is my FAVORITE YouTube mic reviewer at Podcastage, talking about the xm8500:Some people just want that "big airy sound" a condenser mic will provide. It outperforms mics costing much more, and gives the $100+ Shure SM48 and even the SM58 a run for it's money. It makes an awesome budget choice for streamers, as well. I've had one for 5 years, and it's still going strong.
Without the room treatment, however, a condenser becomes a very bad idea quite quickly.With a dynamic mic, the room sound becomes a bit less of an issue (but even still, hanging moving blankets or whatever you can get to break up the sound reflections on flat walls or floors will make a huge difference). A negative of the dynamics, and one reason I like using a condenser with a treated room, is that I can move around more AND get that big sound. Most teachers need not care a whit about this, but I was in TV production once, and I am sort of a fanatic.A dynamic mic, or even a simple high-quality headset mic, is usually a better choice for teachers because more outside sound is rejected. In short - it's a pain, and work, but I have incredible audio.
A cardioid dynamic mic like the xm8500 or the Fifine K668, or a Shotgun like the Movo VXR10 not so much, because they tend to favor what is in front of them. A condenser such as a Blue Yeti will hear all of that, and it quickly becomes a problem. You want to remove those noise reflection echoes bouncing around, the motorcycle driving down the street, your kid's in the next room.
The even cheaper AT 2020 is also a good value option (note that they make a USB model for both the Mackie and the AT2020, although I am not sure if the USB Mackie is similar in sound). Fifine also makes a few of these, but personally, I'd avoid the condenser models due to the room noise they pick up.Some further information about value condenser mics that I find work well for me in XLR format (with room treatment): Mackie EM-91C and Audio-Technica AT 2035. That shrill sound is fatiguing on ears in long-form teaching videos. The negative about these mics is often the shrill high frequencies they produce, as well as the room noise they draw in. Adjust mic levels accordingly.A parting note about the cheap Chinese condensers that are $40 or less, and come with a boom arm.
I also EQ it a bit, because it's a very "warm" mic. It does well against room noise, for a condenser, but I still treat the room. It comes with its own cable and shock mount (it is missing a 5/8 to 3/8" adapter piece for some booms or stands, which is cheap to get, but necessary).
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